Category Archives: Deep Dive: Futari wa Pretty Cure

First Look at the Legends: Futari wa Pretty Cure Episode 1

The first episode of Futari wa Pretty Cure was directed by Naoyuki Itou. He was no stranger to prior Toei shoujo titles, directing episodes for both Ojamajo Doremi and Ashita no Nadja. By contrast, the script was written by Ryo Kawasaki, who was also in charge of series composition and appears to have very few credits outside of Pretty Cure.

How did they do?

Let’s take a look.

Continue reading First Look at the Legends: Futari wa Pretty Cure Episode 1

DANZEN! A Look at the Opening and Theme Song of Futari wa Pretty Cure

Your best! My best!
生きてるんだから 失敗なんてメじゃない!

Your best! My best!
Because we’re alive, failure’s not really a big deal after all!

DANZEN! Futari wa Pretty CureThat’s Right! The Two of Us Are Pretty Cure – is the theme song to (predictably enough) Futari wa Pretty Cure and in many ways has become emblematic of the franchise as a whole. It was heavily present throughout the recent Precure 15th anniversary celebrations, both in television commercials and in the show proper. A remixed version played during the credits of the 2018 film HUGtto! Pretty Cure♡Futari wa Pretty Cure: All Stars Memories. A single of the Max Heart version of the song charted at #60 on the Oricon Singles Chart. It has appeared as a playable song in the game Donkey Konga, and has been parodied or referenced in countless other anime.

For example, episode six of Kyoto Animation’s Lucky Star:

The visuals of the opening are arguably just as iconic, featuring the first appearance of a Cure leaping out of smoke and debris – which would become the Precure series’ very own Akira bike scene.

Who is behind these moments? Who defined Precure from the start?

Let’s take a closer look, starting with the music.

Continue reading DANZEN! A Look at the Opening and Theme Song of Futari wa Pretty Cure

Pretty Cure: Origins

Toei Animation has been making magical girl anime since Sally the Witch in 1966 – and TV Asahi (previously known as Nihon Educational Television, or NET) has been airing these shows for just as long. Sally the Witch, for the uninitiated, is largely considered the first animated magical girl series. (Himitsu no Akko-chan preceded it as a manga first serialized in 1962, but it would not be adapted into an anime until 1969. Yes, Toei did that one too.)

Inextricably linked, Toei and TV Asahi have brought the world far too many magical girl shows to recount here, although some of the more popular ones include Cutie Honey, Sailor Moon, and Ojamajo Doremi. By the time the 21st century hit, Toei was no stranger to the world of mahou shoujo and its sister concepts. Witches from another world? Androids? A team of Super Sentai-esque magical warriors? Together, Toei and TV Asahi had been there and done that.

So they were looking for something a little different for 2004. Ojamajo Doremi had been highly successful in the 8:30am Sunday time slot, so perhaps returning to magical girls after the then-currently airing (and underperforming) historical romance Ashita no Nadja would be a decent idea. This new series would be directed by Daisuke Nishio of Dragon Ball Z fame, and feature characters designed by Akira Inagami. Notably, this would be Inagami’s first shot at character design – his background includes key animation in Dragon Ball Z and directing some episodes of Ojamajo Doremi.

Takashi Washio was chosen to produce this new series. He had no prior experience working on a girls’ series, as the biggest credit to his name up to this point was assistant director on One Piece. Washio is the one credited for coming up with the first seeds of Toei’s new show. There was no real difference between the way girls and boys acted when they were very young, he noticed. Both girls and boys want to save the world. Both girls and boys like action. Transforming heroines had been very popular in the past, but why not throw in something more? In his notes for laying the groundwork of the series, Washio said one of his most popular and oft-quoted lines: “「女の子だって暴れたい」” – “Even girls want to rampage.”

With that idea in mind, Pretty Cure was born.

Continue reading Pretty Cure: Origins

A Soft Reset

I have been blogging, on and off, about various topics, for over ten years. Sometimes a lot of people read these and leave all sorts of comments. Other times, I’m lucky to get one or two people engaging with me. Often, it’s somewhere in the middle. The amount of engagement I get, however, does not have much of a bearing on the occasional return of the Urge to Scream On A Blog Somewhere. So here I am, back again.

When I first started this particular blog a couple of years back, I don’t quite think I was ready for it. My vision was for it to be a comprehensive place to discuss a wide variety of things across an entire genre. Which is all well and good, but there was a slight problem:

My girlfriend pulled me into Precure Hell.

Very specifically Precure Hell.

The result was that I soon realized I could scream the same things about Precure on Twitter over and over, and this blog quickly fell by the wayside. A little bit embarrassing.

But old habits die hard, and recently I’ve been thinking about doing something… a little too big for twitter.

Specifically, I want to scream about every episode of my favorite anime of all time. In detail.

There they are!

I don’t… quite know what it is about Futari wa Pretty Cure in specific that makes me love it so fiercely. I really don’t. Is it the characters? The charm? The 2000’s aesthetic? The action?

I don’t know. I just know that it’s my favorite, and I want to share it with the world. Episode by episode.

If everything goes well – if this gets a good response, or even if I just like doing it – then I might continue it beyond one season. But for now, one season, my very favorite, seems like a reasonable goal.

So let’s give it a whirl.

NEXT TIME: Pretty Cure: Origins!